Tracing the road home
Gypsy jazz was born of Roma musicians whose ancestors left South Asia centuries ago. We study that migration — its rhythms, its songs, its stories — and bring what we learn back to the music.
This music has always travelled — from South Asia to the dance halls of Paris and back again. Collaboration isn't a side project for us; it's the tradition itself.
We are opening our door to travelling musicians who love jazz manouche — or play something that belongs beside it. Come and stay a while.
Violin, accordion, double bass, clarinet — and anything unusual you can swing on. If your instrument is rare here, that is a reason to come, not a reason to hesitate.
Accommodation in Patan is on us for the length of your residency. Bring your instrument; we will find you a bed and a rehearsal corner.
Workshops and sessions with the band and with local musicians. We teach what we know of la pompe and the Nepali songbook; you teach us what you brought with you.
Shows around the Kathmandu Valley with the band, and time left over to see the rest of Nepal — the mountains are closer than you think.
Tell us who you are, what you play, and roughly when you would like to come. There is no form and no deadline — a message is enough.
Gypsy jazz was born of Roma musicians whose ancestors left South Asia centuries ago. We study that migration — its rhythms, its songs, its stories — and bring what we learn back to the music.
With singers and folk musicians of the Kathmandu Valley, we re-set classics from Narayan Gopal and the golden generation — Nepal Bhasa and Nepali lyrics carried on la pompe.
Touring players who pass through Kathmandu are welcome at our table. A borrowed violin, a new tune, one rehearsal — then the stage. Some of our favourite sets began that way.